techniques of high magick king and skinner


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In this way, it is seen that each of the five elements has five aspects composed of four sub-elements  
plus itself. A little thought will show the value of this manner of looking at the elements. To continue  
to use Prithivi as an example: Prithivi of Prithivi (Earth of Earth) is obviously as earthy as one can  
possibly get - very dense, heavy and slow. On the other hand, Apas of Prithivi (Water of Earth), whilst  
retaining the earth quality underlying, is a much more fluid, less rigid aspect of the element, and the  
possibility of movement is vastly increased.  
Vayu of Prithivi (Air of Earth) is less rigid still - movement is quite rapid, and the whole aspect of  
Earth is very different from the preceding two aspects, although still 'of earth'. Tejas of Prithivi takes  
the process a significant step forward and is decidedly more volatile than the others, whereas Akasha  
of Prithivi (Spirit of Earth) can really only demonstrate its underlying earthy quality by contrast with  
the other aspects of Akasha!  
The same comments apply to the different aspects of the other elements.  
It will be seen from the foregoing that the magician who experiences all the sub-elements has a much  
deeper understanding of and familiarity with the Elements than the magician who attempts to work  
Elemental Magic with the all-embracing undifferentiated five. It gives him a greater choice of  
working medium - he can be very much more precise about his intention and the direction of his  
ritual: the ritual in consequence has a far greater chance of success.  
But, as in all magical work, contact with and experience of the Tattwas takes discipline and hard  
work, and should not, therefore, be undertaken lightly.  
In order to experience the Tattwas, the following preparation is needed.  
a. A card for each of the elements with the symbol painted on it, large enough to be seen clearly, and  
in an unambiguous colour.  
b. A blank white card, screen, or wall.  
c. A note-book or the Magical Diary, (1) with a pen to record the results of each working.  
d. A place or room where one can be undisturbed for regular periods, and a comfortable chair, or if the  


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